Out of the Depths I Cry: The Birth of the Blues

I got one of those forwards today, that I usually don't read, but I guessed where it was going, and I knew I would have to reply. The email attributed the hymn "Precious Lord" to the big band leader Tommy Dorsey. WRONG! Thomas Dorsey and Tommy Dorsey were both musicians but the similarity ends there. So it must be time to reprint this sermon, from the Wednesday Lenten series on Songs of our Faith. First preached in 2004.

            This Lenten Season our Wednesday night services will focus on the music of our faith, the beloved hymns of the church. Tonight, the featured hymn is “Precious Lord Take My Hand,” by Thomas Dorsey, a blues musician who became “the father of Gospel music."

I have included in this service the recitation of a psalm, because the psalms contain the oldest hymns of the faith. The Book of Psalms is the hymnbook of the bible. Psalm 130 is one of many psalms of lament. Psalms of lament are honest, unguarded expressions of grief, and yearning. The psalms of lament, like The Blues, were born of suffering, captivity, enslavement. The people of the psalms were enslaved in Egypt, and held captive in Babylon; the people of the Blues were slaves in these United States, and captives to the laws of segregation. The dehumanizing effects of slavery and deprivation gave birth to the blues. It wasn’t the breeze in the trees singing sweet melodies after all. The Blues was born of suffering.

             At the beginning of the 20^th century, music was as segregated as everything else in American society. There were separate washrooms and separate drinking fountains and separate neighborhoods and separate hospitals and separate churches. And folks had their own separate music, and separate places to get together and enjoy music.

            In our separate churches, we had our separate music, the churches of black America singing the spirituals in call and response style, songs which came from the merger of the faith of the new land with the rhythm of the homeland. The churches of white America were singing songs of praise to the tunes of classical European composers. Like today, churches then were slow to change, and though folks might sing the blues or listen to country music on Saturday night, they wouldn’t think of singing that same kind of music on Sunday morning. It would be unseemly.

            So when “Precious Lord, Take My Hand,” was first published (in 1932) by the well-known blues musician, Georgia Tom, folks though it was “too secular” for church, too sensual. Thomas Dorsey, who had been a minister’s son but had strayed from the flock, and sought after the things of the flesh, could not possibly be up to any good. Folks thought this must be his way of trying to lure people into the speak-easies by introducing them to his music in church.

            But Thomas Dorsey’s faith was sincere, and the song, which was born of the grief of losing his wife and child, endured, and it has touched the hearts of generations of the faithful. “Precious Lord, Take My Hand” expresses the need we all feel for the Savior’s touch, in times of darkness and doubt and pain. It is a song for the world-weary, sick woman reaching out to touch the hem of his garment. It is a song for and by the prodigal son, wishing to return home, but uncertain of the welcome.

Thomas Dorsey’s return to the faith of his childhood was complete, and it transformed the church. The Blues Musician became the Father of Gospel Music, which is a style bright and hopeful. Gospel is Blues music infused with hope, and lifted by the faith that God will work all things together for good, in time.

“Precious Lord, Take My Hand” became a source of strength when the civil rights movement began. When protesters were jailed and beaten, this song was sung by supporters outside the prison. The song was sung by Mahalia Jackson at the funeral of Martin Luther King Jr., and by Aretha Franklin at Ms Jackson’s funeral a few years later.

This is the song that I find myself singing, when tired, weak and worn, and it always lifts me up. Thanks be to God for this gift of music. Let us sing.